 The Painter and her art Naza is a star of the international arts scene. Her abstract realistic art has been exhibited in major galleries and museums in South, Central and North America, as well as in Europe. Her art is unprecedented in style. As the creator of the "Abstracted Realism" concept, this Brazilian American Artist sets in motion an unrivaled interplay of lines and forms as she creates her famous cosmic windows. This Brazilian American Artist's studio is in Florida, but she travels frequently to attend the high demand for her commissioned work. '''Naza's abstract art is part of several important collections of World Leaders, entertainment celebrities, major corporations, and the who's who of the international Jet Set, including President Bill Clinton, President Dilma Rousseff, President Fernando Henrique Cardoso, The Ayrton Senna Institute, Ivana Trump, Brigitte Bardot, The West Point Academy, Bank of Brazil, Jet Blue Airlines, Varig Airlines, and The Florida Marlins. This website features original oil paintings, limited edition gicl'e prints on canvas, Limited edition art prints on paper, art posters . The subjects are figurative art, wildlife art of endangered species, abstract art, and portraits, all painted in Naza's unprecedented abstract realistic style. Most of the original paintings are oil on canvas.SOME OF THE ARTIST'S TV INTERVIEWS: Get a discount for life%%% (Please, read the document bellow for further information)
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Career highlights: -Exhibitions at major galleries and museums in the USA, Brazil, Panama, France, and Canada, including at the Sao paulo Museum of Art -Published biography/book by journalist - Woman of The Year in the Arts, Boca Raton, Florida
THE ARTIST’S STATEMENTI am infatuated with the way opposite views interact. I chose to oppose abstraction versus realism to convey that thought. Some times I start the painting with a completely abstract approach and work towards making certain elements resemble recognizable objects, events, or living beings. Other times I start from the opposite direction: I quickly paint a very realistic image, and, before it dries, I abstract it. In both approaches, I follow nothing but my own deep feelings. The idea is to paint not only a certain subject, but also what is happening to it, how it influences its environment, and how it is influenced by it. Thus each painting is like an event. I like to think of the different areas of the final work as living elements that are part of the whole. They are acting, interacting, complementing or opposing each other, anyway, living. Most of the apparent texture of the final work is an illusion. It is not as tri-dimensional as it looks. The actual texture of the Phone numbers:
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 NAZA'S BIOGRAPHY BOOK BY SUZANE JALES: |
